French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Portrait of Pierre Victor Besenval de Bronstatt commander of the Swiss Guards in France. | Portrait of Jeanne Louise de Lorraine, Mademoiselle de Lambesc (1711-1772) and her brother Louis de Lorraine, Count then Prince of Brionne | Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France | Princess Louise-elisabeth of France - The Earth | Portrait of Louise Henriette Gabrielle de Lorraine Princesse de Turenne, Duchess of Bouillon |
Related Artists:
Ferdinand Leeke
German, 1859-1925
Jehan Georges Vibert
Jehan Georges Vibert (30 September 1840 - 28 July 1902) was a French academic painter. He was born in Paris. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Felix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot. Vibert debuted at the Salon of 1863 with La Sieste (The Siesta) and Repentir (Repentance). During the Franco-Prussian War, Vibert became a sharpshooter and was wounded at the battle of Malmaison in October 1870. He was awarded the Legion deHonneur and became a Chevalier de la Legion deHonneur in recognition of his sacrifice. He became an Officer of the Legion deHonneur in 1882.
Hirshfield Morris
American artist 1872-1946 American painter of Russian-Polish origin. He claimed to have carved wooden ceremonial objects as a young boy, but ceased to create until he retired from his clothing manufacturing concern and began to paint. When Sidney Janis was arranging an exhibition of American folk art for MOMA in 1939, he saw Hirshfield's naive works in a gallery in New York. He exhibited two in the show and organized a one-man show for the artist in 1943; he also purchased two works, including Beach Girl (1937; New York, MOMA). In such paintings Hirshfield based large areas of the overall design on the fabrics with which he worked during his years in business, and his outlined forms on the art of patternmaking.